Twelve full productions. Eighty years of music. One company that can headline every night of your event with a different one.
Who we’ve played for
Three nights. Three completely different shows. One phone call.
Your attendees are the same people Wednesday, Thursday and Friday. Book three separate acts and you’re managing three agents, three riders, three load-ins and three different standards of musicianship — and the closing party may be nothing like the night that worked.
One company means one contract, one production team, one load-in, and a genuinely different headline show each night. You fly one band in; they’re already there on night two.
A single tribute night sells one house to one crowd. Three nights of three different shows sells three houses to three overlapping but different audiences — the Beatles crowd Friday, disco Saturday, the nineties Sunday — off one marketing push, one load-in and one travel bill.
And it’s packageable. A three-show weekend pass is something no single tribute act can offer, and subscription buyers spend more than single-ticket buyers.
The roster
Every touring production is a full concert with its own identity, its own audience and its own place in an evening — not one band with a costume change.
Corporate & military
Close-harmony music of the 1940s, 50s and early 60s — in the tradition of the Andrews Sisters.
The Beatles — and the Stones
The house band of America’s second-oldest Beatles festival — and the way that show travels.
The flagship act
A two-hour dueling-piano tribute to Billy Joel and Elton John.
Theaters & galas
“Hotel California” on one side. “Go Your Own Way” on the other. The crowd settles it.
Disco & dance
Donna Summer, the Bee Gees, ABBA — staged in extravagant seventies outer-space style.
Yacht rock
The smoothest records of the late seventies and early eighties, played by a horn band that means it.
The eighties
The decade of the arena chorus, played by a full production band that treats it as music rather than costume.
The nineties
Every genre the nineties had, live — with choreography, synced music video, and a room dressed like it’s 1997.
Y2K pop, head to head
A dueling tribute to Britney Spears and Justin Timberlake — the two biggest pop stars the turn of the century produced.
The current era
A full-production tribute starring Juliet Liuzza.
Which show for which night
The Hello Dollys: 40s, 50s and 60s Tribute · Haul ’N’ Boats: Yacht Rock Tribute
SUPAFLY: A 1970s Dance Tribute · All That & A Bag Of Chips: 90s Tribute · Britney Spears vs Justin Timberlake
Any of the ten, costumed to your theme.
The company
Every show in the series is cast from the same company of New Orleans players — nine to twelve pieces depending on the night, six vocalists, a full horn section. Award-winning multi-instrumentalists whose other work includes concert tours, television, film and Broadway, with twenty-five years of stages behind them in London, Dubai, Barcelona, Nassau, Las Vegas and Orlando.
These are productions, not bar bands with a bigger PA. Synchronized video, lighting design, choreography and costume changes are built into the shows that call for them, and everything is engineered to sound like the record rather than like a cover. It’s why a presenter can book three different nights from this series and get the same standard every time.
Their arrangements and professionalism set them apart from all of the other groups in this genre.
Betsy Cannoway · Xylem / All Pro Productions, Nashville
Book it
We’ll come back with availability, what each show needs, and one price — usually the same day. If you have more than one night to fill, say so and we’ll program the whole arc rather than quoting you a band.
